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The University Church of St Mary the Virgin (St Mary's or SMV for short) is an English church in Oxford situated on the north side of the High Street. It is the centre from which the University of Oxford grew and its parish consists almost exclusively of university and college buildings.
Overview[edit]
St Mary's possesses an eccentric Baroque porch, designed by Nicholas Stone, facing High Street, and a spire which is claimed by some church historians to be one of the most beautiful in England.[1] Radcliffe Square lies to the north and to the east is the southern end of Catte Street. The 13th-century tower is open to the public for a fee and provides good views across the heart of the historic university city, especially Radcliffe Square, the Radcliffe Camera, Brasenose College, Oxford and All Souls College.
History[edit]
A church was established on this site, at the centre of the old walled city, in Anglo-Saxon times; records of 1086 note the church as previously belonging to an estate held by Aubrey de Coucy, likely Iffley, and the parish including part of Littlemore.[2]
In the early days of Oxford University, the church was adopted as the first building of the university, congregation met there from at least 1252,[2] and by the early 13th century it was the seat of university government and was used for lectures and the award of degrees. Around 1320 a two-storey building was added to the north side of the chancel — the ground floor (now the Vaults cafe) became the "convocation" house used by university parliament,[3] and the upper storey housed books bequeathed by Thomas Cobham, Bishop of Worcester, which formed the first university library.[2]
When Adam de Brome became rector in 1320 the church's fortune became linked to what would later become Oriel College. In 1324 Brome founded St Mary Hall and appropriated the church's rectory house, including small tithes, oblations and burial dues for the college, an act confirmed in 1326 by the bishop, Henry Burghersh, after Brome had got Edward II's patronage to refound the college. Brome diverted the revenues of the church to his college, which thereafter was responsible for appointing the vicar and providing four chaplains to celebrate the daily services in the church.[4] Early provosts of the college were inducted into their stall in the church, and until 1642 fellows were required to attend services on Sundays and holy days.[2]
St Mary's was the site of the 1555 trial of the Oxford Martyrs, when the bishops Latimer and Ridley and Archbishop Cranmer were tried for heresy. The martyrs were imprisoned at the former Bocardo Prison near St Michael at the Northgate in Cornmarket Street and subsequently burnt at the stake just outside the city walls to the north. A cross set into the road marks that location on what is now Broad Street; the nearby Martyrs' Memorial, at the south end of St Giles' Street, commemorates the events.
A section cut out of "Cranmer's Pillar" remains from the morning of Cranmer's death on 21 March 1556 when he was brought to the church for a sermon from Henry Cole, Provost of Eton College, who on Mary I's instructions, spelt out the reasons why he must die. Cranmer stood on a stage, the corner ype="text/javascript" src="//pagead2.googlesyndication.com/pagead/show_ads.js">
of which was supported by a small shelf cut from the pillar opposite the pulpit; withdrawing his recantations of his Reformed beliefs, he swore that when he was burnt, the hand which had signed them would be the first to burn.[3]Until the 17th century, the church was used not only for prayers but also for increasingly rowdy graduation and degree ceremonies. This phenomenon, "The notion that 'sacrifice is made equally to God and Apollo', in the same place where homage was due to God and God alone",[5] was repugnant to William Laud, Archbishop of Canterbury, who in the 1630s initiated the erecting of a separate building for these ceremonies. This project was cut short by the fall of Laud and the outbreak of the English Civil War, but after the Restoration, it was revived and carried through by John Fell, Dean of Christ Church, who commissioned Christopher Wren to erect what became the Sheldonian Theatre. Thereafter, the church was reserved for religious worship only.
During his time in Oxford, John Wesley often attended the university sermon,[3] and later, as a fellow of Lincoln College, preached sermons in the church including the university sermon on "Salvation by Faith" on 18 June 1738[6] and the "Almost Christian" sermon [7] on 25 July 1741. Following his denunciation of the spiritual apathy and sloth of the senior members of the university in his sermon "Scriptural Christianity" on 24 August 1744,[8] he was never asked to preach there again — "I preached, I suppose, the last time at St Mary's", he wrote in his journal, "Be it so; I have fully delivered my soul."[9]
In 1828, John Henry Newman became vicar and his sermons became popular with undergraduates. From the present pulpit John Keble preached the assize sermon of 14 July 1833, which is traditionally considered to have started the Oxford Movement, an attempt to revive catholic spirituality in the church and university. The influence of the movement spread and affected the practice and spirituality of the Church of England. By 1843, Newman became disillusioned with Anglicanism and resigned from St Mary's, later joining the Roman Catholic Church.[3]
Architecture[edit]
In the later 15th and early 16th century, the main body of the church was substantially rebuilt in the Perpendicular style, but the oldest part of the present church is the tower, which dates from around 1270. The Decorated spire with its triple-gabled outer pinnacles, inner pinnacles, gargoyles and statues was added in the 1320s. Only one of the twelve statues is original, the others were by George Frampton and erected around 1894. The original statues can now be found in the cloister of New College. The tower is plainer, having long three light bell openings with intersecting tracery. The architect is unknown, though the master mason in 1275 was Richard of Abingdon.
The south porch was built in 1637 and was designed by Nicholas Stone, master mason to Charles I. It was a gift from Morgan Owen, chaplain to Archbishop Laud. It is highly ornate, with spiral columns supporting a curly pediment framing a shell niche with a statue of the Virgin and Child, underneath a Gothic fan vault. The style was too close to Roman baroque for the puritans of the day and the porch itself was used as evidence in Laud's execution trial, citing its "scandalous statue" to which one witness saw "one bow and another pray". The gate piers are original and the wrought iron gates are early 18th-century.[1] The bullet holes in the statue were made by Cromwellian troopers.[3]
Around 1328 a chapel was added, now the outer north aisle, by the rector, Adam de Brome. The chancel was rebuilt around 1462 by Walter Hart, Bishop of Norwich, and the nave and aisles were rebuilt around 1490 by the university with donations from Henry VII and several bishops, whose arms decorate the nave. The north wall of de Brome's chapel and the congregation house were remodelled in the Perpendicular style around 1510, and new windows were added to match the others in the church. Around the same time, St Thomas chantry, now a vestry, was added. The nave and aisle windows have panel tracery and flamboyant battlemented parapets with gargoyles and pinnacles.
